219 Royalty-Free Audio Tracks for "The Bad"

This is a mix of deep boom sounds i mixed together. Probably like 30 or more sounds to get just what i wanted, even my own voice mixed in there somewhere. Figured others might find this useful. Might as well say what i used this for. So in making a big huge video for my family, where i've filmed them doing certain things and not tell them why, to which i'll present the video when we all get together for christmas eve, 2019. Theres also a part where i hosted a picnic, filmed everyone, and then asked them to karate chop or kick towards the camera. The next day i went with a crew and filmed ninjas around the park. Edited together with the family attacking the ninjas then the ninjas falling back and exploding with a particle effect on after effects. This is the main sound heard when that happens. I made a few others using this base sound. While i'm bad myself at leaving comments, comments are always welcome to hear what someone used the sound for. Thanks.

This is a mix of deep boom sounds i mixed together. Probably like 30 or more sounds to get just what i wanted, even my own voice mixed in there somewhere. Figured others might find this useful. This is the version which is pitched even lower then the normal one i made. Might as well say what i used this for. So in making a big huge video for my family, where i've filmed them doing certain things and not tell them why, to which i'll present the video when we all get together for christmas eve, 2019. Theres also a part where i hosted a picnic, filmed everyone, and then asked them to karate chop or kick towards the camera. The next day i went with a crew and filmed ninjas around the park. Edited together with the family attacking the ninjas then the ninjas falling back and exploding with a particle effect on after effects. This is an edited version from the main sound heard when that happens. I made a few others using the base sound. While i'm bad myself at leaving comments, comments are always welcome to hear what someone used the sound for. Thanks.

I get annoyed easily when i hear someone telling me what to do. It gets me in trouble. This was a while ago. I hadn't ever been caught at that point, and he was the one recording. He actually got me started on that. Of course, i had taken off the offending articles of clothing and kicked off my sneakers, and was locked outside my own front door that way. Of course i couldn't go anywhere, and the only unlocked window had an air conditioner in it. Yes i did. Right over the top of it, might have looked pretty clumsy, at least…i know it was risky but not as bad as standing out there. Luckily it was a back window. Unluckily, it was raining. Hard. Should have let him build that fence.

Came up with a drumbeat in garageband and soon after a bassline that fit the drums. Added "satan", some handclaps and oriented kind of sounds. Also did a darker mid-part to make a feeling of something bad happening. Did it for something called victors crypt on youtube. Think it would fit to anything dark and cool. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This is a short wavefile of really bad drums and a crying baby. To be used properly, it needs to be turned way up. This sound has a story behind it - i made this up for one purpose, and one purpose only - to temporarily blast my long-term loud neighbors into realizing that 'they' are now the victims. They "were" relentless at playing loud music continuously, and it was a hot humid day,no air-con, and i had a lot of wine. That's all it took - so i blasted them(at an amazing close range)with 200+ watts of drums'n'babies, just long enough for them to figure out that this just might continue, and that it isn't a nice sound. Bottom line - the technique was highly effective.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Some spooky music i made in garageband for a thing called victors crypt!. It's a wailing electric guitar with some organs in the back creating a scary sound. It's a lot of reverb, echo and delay on it. I think of a creepy crypt with blood on floor and walls. Like something really bad just happens. . . . I believe it would fit anything creepy, scary, haunted. Fantasy, horror, terrifying, dystopia or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Be carefull with the volume!!! i maxed out the eq and volume to get the most effect possible. . . Dont know, but it could be bad for your ears!! dont want anyone to get hearing problems. . . . :). Dare 26 spin-off. . . . Alienxxx processed a few samples out of sample:. Http://www. Freesound. Org/people/luckylittleraven/sounds/223075/. He wanted us to listen to the samples an tell if they were worse or not to the original samples. . So i just listened to a few samples and noticed something weird. . . On a few samples there is this very high pitch sound. . . Seems not everyone is able to hear this. . My girlfriend was listening with me and she didnt hear anything like this!!!to find out what was going on alienxxx suggested to run the samples thrue an eq to see what was going on. I used the following sample:. Http://www. Freesound. Org/people/alienxxx/sounds/234027/. I found out that there was a very high peak at 14,8khz around 14sec. And again at 20sec. After that i maxed out my eq at 14,8khz. Setting everything to maximize the peak that is so very very very annoying!!!. .

Thrilling and cool music i made in garageband for something called victors crypt!. Made this drumbeat with a lot of percussions. After i recorded the bass i decided to go with an "airy" guitar with a lot of reverb in the chords. I added electric guitar and a synth-choir as well. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

My headphones started to screw themselves over while i was going for a walk with them and it started pouring in the middle of my walk. Which made my headphones pretty much unusable and it seemed to make this strange static noise even when turned off. It was actually kinda creepy but i did realise that this would make for a good sound for a videogame or movie that needs static of some kind. It's just too bad my headphones don't work anymore. Feel free to use this sound however you may please, you don't even have to credit me. It would be appreciated if you did though!.

A short bit of music i made in garageband for a thing called victors crypt. It's some chords on a heavy organ doubled with bass-guitar. Strings are added and there's a cleaner organ playing in between. A lot of spookiness going on. I think it would work fine as an intro or something to a creepy pod or spooky youtube-channel for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

I wanted to prove you could make an 808 bass in tripleoscillator (lmms) without a vst. I've never made hip-hop before. This is not a complete song, so i'm thinking it should be used as a series of loops in something like mixxx:. 0:00-0:07: intro0:07-0:20: loop 1 (fewer hi-hats)0:20-0:34: loop 2 (sprinkly hi-hats)0:34-0:42: loop 3 (just pads mostly)0:42-1:03: loop 4 (basically the same as loop 2 but with arp)1:03-end: outro. I put like zero effort into it fyi so i'm not offended if you don't like it. Also, no need to credit me, in fact, it's so low effort i'd almost rather you didn't ;).

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. Funny story. . . The reason this one is from far away is because while recording a narration, a lovely spider decided to descend from the ceiling, and i flipped out, having decently bad arachnophobia. It also got near my hamster's cage, so naturally i bellowed "die!" when killing it. I'm uh. . . Very passionate about certain things. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Okay, about this small bibliothek there is a story to tell. Maybe a year ago my mother phoned me and asked if i could give her a hand because the door to her kitchen was squeaking. After work i went to her, went down to the cellar, took the can with the lubricating grease, went upstairs and made my mother happy. Then i putted the grease back and went upstairs. Whe sat down, drank a cup of coffee. Then i had to go to the toilet andnoticed that the toilet door was squeaking too. So i went down to the cellar again and took once again the grease. Now i thought, before i make the stairs again, i'll show if any other thing in my mothers house is squeaking. It was terrible! i swear, never in my entire life i've been in a house where so many different things were squeaking so impassionated. First off all i went back to my car and took my cheap dictaphone i use for work. And before i putted grease on those squeaking things i recorded them. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. So this are really historic sounds! none of them exist anymore in the real world!. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. But. . . When i heard through them later i was disappointed of the bad sound quality, cutting out higher ond lower frenquencies of the rich spectrum of those "neeeeiiiks" and "uiihggs". During winter holidays i processed them first with the audacity noise reduction - then with other tools. The result gives an unreal impression of the original sounding, they have now some "synthetic" touch - but makes them probably usable for funny films or comic-likeeffects. All the sounds in my "big squeek pack" where recorded in one afternoon and all in my mothers house. "tension-sounds" for example are nothing else than a junker (tin can? - sorry, my english) moved from one side of a wooden shelf to another, meanwhile my dictoaphone was laying in the junker. I don't ask to credit me - but if you make use of one of these sounds and create something funny with them, please let me know. . . So i can show it my mother too. Thank you.

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

فارسی: سرود «صبح پیروزی» (معروف به «خجسته باد این پیروزی») ترانه‌ای است در ردیف آوازی بیات ترک و گوشه روح‌الارواح که در اردیبهشت ۱۳۶۱ توسط صدای جمهوری اسلامی ایران تولید و برای اولین بار بلافاصله پس از اعلام آزادسازی خرمشهر در تاریخ ۳ خرداد ۱۳۶۱ از رادیو پخش شد. پس از گفتگوی احمد خمینی با مجید حدادعادل (رئیس وقت رادیو) ترانه‌ای با اسم بردن از نیروهای ارتشی و سپاهی برای یک پیروزی مهم و بزرگ به محمد گلریز (خواننده) و حمید سبزواری (ترانه‌سرا) سفارش داده می‌شود. با سرودن شعری توسط سبزواری، گلریز ملودی آن را می‌سازد و تغییراتی در متن شعر اعمال می‌شود و کار تکمیل می‌شود. سپس با تأیید شورای تهیه‌کنندگان، کار توسط مجتبی میرزاده (تنظیم‌کننده) و احمدعلی راغب (آهنگساز و نوازنده) ساخته و به کمک فریدون شهبازیان (ناظر ضبط) در استودیوی رادیو ضبط می‌شود.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S Text: I Nordens kalla isbetäckta dalar, var där en härjande en hungersnöd en sorglig röst i modrens hjärta talar ta dina barn, gå ut och sök dig bröd. Det yngsta barnet uppå ryggen hängde uti en påse gjord av rot och bast. Vid varje steg, det dinglade och slängde, men barnet höll sig tätt vid halsen fast. Dessutom tvenne hon vid handen leder[alt. ledde], så fromt och underligen, gård från gård. Ty hon om bröd blott för barnen beder[alt. bedde], vem kunde emot henne vara hård? Om kvällen kom hon till en riker bonde, hon bad att över natten få bli kvar. men han var stinn och inbillsk som hin onde: »För tiggarpack jag sällan nattro har.» Till prästgården vill hon när det bli kväller att där få vila över till andra dag men där var fullt av halvfulla gesäller som höllo pockande på vägalag. [Hon måste alltså åter ut att vandra till nästa by att där sitt härberg få.] När sedan bägge barnen börjar gråta, då lyfter hon dem upp på var sin arm. De frysa, ty av snön de blivit våta, hon klappar dem och värmer vid sin barm. [De lade alla fyra i en kista två fingo vila uppå var sin arm det tredje med, det yngsta och minsta man lade uppå modrens kalla barm.]